It’s potentially frustrating, but the reality is that subconsciously when you're watching it as an audience, even if you can't explain why, it feels more real. So the whole thing was built like a real helicopter, and he was stuck, only being able to film what he could as if this thing was really flying. I couldn't get the shots I wanted, because we were in a real helicopter.' So when we came to build our U-Wing, originally there was this idea that we were gonna remove the walls so we could shoot, and we said no. It's funny, I love that end sequence in that movie, but Greg would be frustrated because he'd say, 'Oh, I couldn't move any of the walls out the way. The director discussed some of the nuance with Complex, “Greig, our DP, shot Zero Dark Thirty. Gareth Edward brought in the man who helped Kathryn Bigelow capture the cinematic hunt for Osama Bin Laden on film, Greig Fraser. When Gareth went looking for a Director of Photography for the film, he didn’t look for someone who only knew how to shoot a grand vista, he wanted an eye that could understand how to shoot a scene embedded in the realities of war.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |